FUJI XF 50-140mm f/2.8 R OIS WR, Zoom tÊlÊobjectif Êquivalent à 76-214mm en format 35mm, RÊsistant aux intempÊries. Performances très ÊlevÊes dÊs 2,8. Un peur lourd mais c'est normal vu la qualitÊ !!! Bravo à Fuji qui nous fait de magnifiques optiques. 0,05⏠FUJI XF 100-400mm f/4.5-5.6 R LM OIS WR Noir. Distances focales
Les meilleures offres pour FUJIFILM Fuji Fujinon XF 50-140mm F/2.8 R LM OIS WR #86 sont sur eBay Comparez les prix et les spĂŠcificitĂŠs des produits neufs et d 'occasion Pleins d Lens Replacement Foot Base Stand for Fuji XF 50-140mm F2.8 R LM OIS WR Telephoto. Pro Pro Pro. 31,52 EUR Objectifs f/2, 8 pour appareil photo et camĂŠscope
This new standard zoom lens features 6.0-stop OIS, meaning you can comfortably shoot in a wide variety of situations from a night scene or indoors without worrying about camera shake. Optical design that brings out superior image-resolving performance The lens consists of 16 elements in 12 groups.
Entdecken Sie Fujifilm Fujinon XF 50-140mm f/2.8 LM R OIS WR Objektiv - geprĂźfte Händlerware in der groĂen Auswahl bei eBay. Kostenlose Lieferung fĂźr viele Artikel! FUJIFILM FUJINON XF 50-140mm f/2,8 R LM OIS WR - SNr: 87A00577. Gewerblich Gewerblich Gewerblich. EUR 969,00
Xf 50-140mm f/2.8 r lm ois wr Professioneel telezoom objectief van Fujifilm. Behoeft geen uitleg. Fantastisch objectief, schitterende beeldkwaliteit. Richtprijs 900 euro of doe een bod. Soortgelijke discussies [ Fuji(film) ] 50-140mm F/2.8. Door dewindt in forum Aangeboden Reacties: 0 Laatste bericht: 18 mei 2020, 10:35 [ Fuji(film) ] 50
Fujifilm XF 50-140mm F/2.8 R LM OIS WR. Het Fujinon XF 50-140mm F2.8 R LM OIS zoomobjectief is stof en waterdicht en biedt een bereik dat overeenkomt met 76-213mm bij 35mm. Het objectief biedt een maximaal diafragma van f/2.8 over het volledige bereik en daarmee een zeer interessante aanvulling voor portretfotografie, maar ook voor natuur of
รวลภาŕ¸ŕ¸ŕ¸Ľŕ¸ŕ¸˛ŕ¸ŕ¸Şŕ¸Ąŕ¸˛ŕ¸ŕ¸´ŕ¸ŕ¸ŕ¸˛ŕ¸ŕšŕ¸Ľŕ¸ŕ¸Şŕš Fuji XF 50-140mm F2.8 R LM OIS WR FUJI X-T1 GS + FUJINON 50-140mm F2.8 OIS. Attached Images The Following 5 Users Say Thank You to NJ.Photographer For This Useful Post: DominoX
8VAk. Introduction The Fujifilm XF 50-140mm R LM OIS WR is a new professional weather-resistant telephoto zoom lens for Fujifilm's X-series interchangeable lens 50-140mm lens boasts an angle-of-view range similar to that of a 76-213mm lens in a 35mm system and features a constant maximum aperture of throughout the range. Other highlights include the worldâs first Triple Linear Motor which enables quiet and high-speed auto focus, an optical construction with 23 elements arranged in 16 groups including 5 ED lens elements and 1 Super ED lens element with low dispersion characteristics, Fujifilmâs unique HT-EBC High Transmittance Electron Beam Coating and Nano-GI Gradient Index coating technologies, seven rounded aperture blades for a smooth circular bokeh, a 1/3EV step aperture ring, minimum working distance of 1m for the entire zoom range, and 5-stop optical image stabilsation. The Fujinon XF 50-140mm f/ R LM OIS WR has a suggested retail price of ÂŁ / $1599. Ease of Use The Fujifilm XF 50-140mm R LM OIS WR is an undeniably large and heavy telephoto lens, weiging just under 1kg and dwarfing the X-T1 camera that we tested it with. It's the largest, longest and heaviest XF lens currently available, although if you compare the 50-140mm / X-T1 combination to the Canon or Nikon equivalent, it's about 40% lighter and smaller overall. So, depending on your viewpoint, the Fujifilm XF 50-140mm R LM OIS WR marks quite a departure from the more dimunitive lenses in the XF lineup, or it's a lighter alternative to the Canon/Nikon offerings. Thankfully the length of the lens doesn't change even when it's fully zoomed out. The Fujifilm XF 50-140mm R LM OIS WR lens attached to the Fujifilm X-T1 Graphite Silver camera The Fujifilm XF 50-140mm R LM OIS WR lens attached to the Fujifilm X-T1 Graphite Silver camera The Fujifilm XF 50-140mm R LM OIS WR lens attached to the Fujifilm X-T1 Graphite Silver camera The Fujifilm XF 50-140mm R LM OIS WR lens attached to the Fujifilm X-T1 Graphite Silver camera, tripod mount attached The Fujifilm XF 50-140mm R LM OIS WR lens attached to the Fujifilm X-T1 Graphite Silver camera, tripod mount attached The overall build quality is excellent, in keeping with an X-series body like the X-T1, although we were a little disappointed to see that the lens barrel is mainly made of high-grade plastics, rather than being metal - still, it does at least help to keep the weight down. The Fujifilm XF 50-140mm R LM OIS WR lens does boast a brass mount, focus/zoom rings and lens exterior, and a non-rotating 72mm filter thread. The zoom ring is generously wide and has a ridged, rubberised grip band. Both the zoom and the focus rings are smooth in action without being loose. Zoom creep is not an issue. The focus ring is wide enough but doesn't have any âhard stopsâ at either end of the focus range. Side of the Fujifilm XF 50-140mm R LM OIS WR lens Side of the Fujifilm XF 50-140mm R LM OIS WR lens Side of the Fujifilm XF 50-140mm R LM OIS WR lens Side of the Fujifilm XF 50-140mm R LM OIS WR lens The Fujifilm XF 50-140mm R LM OIS WR lens has a traditional aperture ring on the lens barrel, which allows you to set the aperture in 1/3 steps, and unlike some of Fujfilm's other variable-aperture zoom lenses, this one is clearly marked with the 7 full aperture settings that run from f/ to f/22 plus the Auto setting, and it has a hard stop at either end. The aperture ring is nicely damped and makes a distinctive click as you change the setting. Front of the Fujifilm XF 50-140mm R LM OIS WR lens Rear of the Fujifilm XF 50-140mm R LM OIS WR lens The Fujifilm XF 50-140mm R LM OIS WR has a built-in OIS Optical Image Stabiliser equivalent to 5 stops, which can be handily turned on and off via the dedicated OIS switch on the lens barrel. Side of the Fujifilm XF 50-140mm R LM OIS WR lens Side of the Fujifilm XF 50-140mm R LM OIS WR lens A metal tripod mount is supplied with the Fujifilm XF 50-140mm R LM OIS WR, which is attached to the lens via a circular ring that can be rotated from landscape to portrait orientation using a single thumbscrew on the side of the barrel. The tripod mount is rather awkardly attached to the lens via two smaller captive thumsbcrews - we say awkwardly, because while removing the mount was easy, it was incredibly difficult to re-attach it again - it's definitely something that you wouldn't want to do in a hurry. Note that the Fujifilm XF 50-140mm R LM OIS WR also lacks a threaded hole on the bottom to allow more direct mounting of a tripod or lens strap system The Fujifilm XF 50-140mm R LM OIS WR lens in-hand The Fujifilm XF 50-140mm R LM OIS WR lens with the supplied lens hood fitted The Fujifilm XF 50-140mm R LM OIS WR lens with the supplied lens hood fitted In terms of accessories, the lens ships with a large plastic petal-shaped hood and the usual cloth bag - we'd have liked a proper padded case for such a premium lens. Usefully the lens hood has a small removeable square on the bottom which makes it easier to use a circular polariser. Focal Range At the 50mm end of the zoom range, the Fujifilm XF 50-140mm R LM OIS WR lens has a wide angle of view of degrees. Field of view at 50mm At the 140mm end, the angle of view narrows to degrees. Field of view at 140mm Distortion The Fujifilm XF 50-140mm R LM OIS WR exhibits virtually no barrell or pincushion distortion, as you can see in the photos below. Distortion at 50mm Distortion at 140mm Focusing The Fujifilm XF 50-140mm R LM OIS WR lens has an internal focusing IF system with a very quiet linear motor. In practice, we found the auto-focus to be fast, almost silent and with very little hunting even in low-light. Thanks to the IF mechanism the front of the lens does not rotate on focus, which is very good news for anyone looking to use the lens in conjunction with a polariser or graduated neutral density filter. Chromatic Aberrations Chromatic aberrations, typically seen as purple or blue fringes along contrasty edges, are not a problem with the Fujifilm XF 50-140mm R LM OIS WR lens, so much so that we couldn't find any examples in our test shots. Macro The Fujifilm XF 50-140mm R LM OIS WR is not a macro lens. The close-focus point is at 1m from the sensor plane and the maximum magnification is at full telephoto. The following example illustrates how close you can get to the subject, in this case a CompactFlash card. Close-up performance Bokeh Bokeh is a word used for the out-of-focus areas of a photograph, and is usually described in qualitative terms, such as smooth / creamy / harsh etc. Fujifilm have paid attention to this aspect of lens use, employing a 7-segment diaphragm with rounded blades for pleasing bokeh. In our view, their efforts have been largely successful - see the examples below. Sharpness In order to show you how sharp this lens is, we are providing 100% crops on the following pages. Ease of Use Sharpness 50mm 70mm 90mm 140mm Sample Images Lens Specs Rating & Conclusion Main Rivals
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Digital Camera World Verdict If you want a pro-specced telephoto zoom for a Fujifilm X-mount mirrorless camera this is your one and only choice. The Fujinon equivalent of the professional's 70-200mm f/ it is the workhorse zoom for wedding, portraits, documentary, landscapes and more. It may be eight years old, but it is still going strong! Pros +Constant f/ maximum aperture+Tripod foot+Built-in image stabilization+Good value for a pro-spec lens Cons -Disappointing minimum focus and maximum magnification-Bokeh lacks smoothness Why you can trust Digital Camera World Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out how we test. The Funinon XF50-140mm f/ R LM OIS WR is eight years old, and still going strong. Launched in 2015, it is one of Fujifilm's equivalent of the 'holy trinity' of professional zooms. Traditionally, for full-frame cameras, this trinity has evolved to being a 14-28mm f/ 24-70mm f/ and a 70-200mm f/ - a range of zooms to cover nearly every assignment each with a wide maximum aperture of f/ Fujifilm X-mount mirrorless cameras, with their crop factor, have their own equivalent trinity - comprising of the R LM WR, R LM WR, and, as tested here, the XF50-140mm f/ Fujifilm X Full frame No Autofocus Yes Stabilization Yes Lens construction 23 elements in 16 groups Angle of view - degrees Diaphragm blades 7 Minimum aperture f/22 Minimum focusing distance 1m Maximum magnification ratio Filter size 72mm Dimensions x Weight 995gKey featuresThe XF50-140mm f/ offers an equivalent focal length range of 75-210mm in traditional 35mm SLR terms - and it telephoto range and wide constant maximum aperture make it perfect for a huge range of photographic subjects. For weddings, portraits, documentary, and action it is a must have - but can prove just as useful for less-obvious telephoto subjects such as landscapes and flexibility is further extended by the factor that this can be used by Fujifilm's own and 2x teleconverters to give you anything up to a 280mm f/ 420mm f/ equivalent supertelephoto is a professionally-constructed metal-bodied and metal-mounted lens. This is made really clear from the outside by the provision of a tripod collar - which is used to give balance to the camera using a tripod or monopod, but because it rotates also allow you to smoothly switch from landscape to portrait are lots of letters after the full name of this lens - but one of the most important for most users will be OIS. This lens boasts a five-stop in-built optical image stabilizer - allowing you to use significantly lower shutter speeds than the old lore tells you to use, with whatever Fujifilm body you use. Equally important to others are the letters WR - the weather sealing that ensures you don't have to panic when it starts to is a meaty lens - but unlike popular full-frame f/ telezooms, manages to sneak in at under 1kg on the scales if you take off the tripod collar. In addition to the zoom and manual focus rings, there is a manual aperture collar that allows you to stop down from f/ to f/22, in one-third of a stop clickable only other control on the lens is an on/off switch for the optical image stabilizer - there are not special panning mode here, unlike on some other manufacturer's equivalent lens. Also it is worth noting there is no focus range restriction options, as on some rivals - which will inevitably cause problems when shooting through imagesFujinon XF50-140mm f/ R LM OIS WR on Fujifilm X-H2. 1/600sec at f/8, ISO 400. Image credit Chris George/Digital Camera WorldFujinon XF50-140mm f/ R LM OIS WR on Fujifilm X-H2. 1/250sec at f/ ISO 125 Image credit Chris George/Digital Camera WorldFujinon XF50-140mm f/ R LM OIS WR on Fujifilm X-H2. 1/5800sec at f/ ISO 400 Image credit Chris George/Digital Camera WorldFujinon XF50-140mm f/ R LM OIS WR on Fujifilm X-H2. 1/800sec at f/ ISO 8000 Image credit Chris George/Digital Camera WorldFujinon XF50-140mm f/ R LM OIS WR on Fujifilm X-H2. 1/1400sec at f/ ISO 400 Image credit Chris George/Digital Camera WorldFujinon XF50-140mm f/ R LM OIS WR on Fujifilm X-H2. 1/400sec at f/ ISO 400 Image credit Chris George/Digital Camera WorldLab dataWe run a range of lab tests under controlled conditions, using the Imatest Master testing suite. Photos of test charts are taken across the range of apertures and zooms where available, then analyzed for sharpness, distortion and chromatic aberrations. We use Imatest SFR spatial frequency response charts and analysis software to plot lens resolution at the center of the image frame, corners and mid-point distances, across the range of aperture settings and, with zoom lenses, at four different focal lengths. The tests also measure distortion and color fringing chromatic aberration. SharpnessImage credit FutureImage credit FutureCenter sharpness is excellent at all focal lengths, even wide open at f/ â only at f/11 does diffraction start to make images slightly softer. Corner sharpness is a little more mediocre, though it is consistent right through the aperture credit FutureColor fringing is impressively negligible at all focal lengths and credit FutureThanks largely to the automatic distortion correction baked into Fujifilm camera bodies which cannot be disabled, any optical distortion is almost entirely anyone using the Fujifilm system professionally - or wants a wide-apertured telephoto zoom - then this Fujinon XF50-140mm f/ R LM OIS WR is essentially you only options. Now that Fujifilm has opened up its mount to third-party manufacturers, this may change at some point we'd love to see a X-mount version of the Tamron 70-180mm F/ Di III VXD. But until then the XF50-140mm is a great performer - it is well made, has a good feature set, is attractively priced, and it is really sharp. Finally it is worth noting that, despite its age, Fujifilm has put on its list of just 20 XF lenses that can make the most out of the resolution of its new flagship X-H2 and X-T5 check out our guides to the best Fujifilm lenses and best Fujifilm Fujifilm lens reviews Fujinon XF55-200mm f/ R LM OIS reviewFujinon XF 16-80mm F4 R OIS WR reviewFujinon R WR reviewFujinon R LM WR reviewFujinon R LM WR reviewFujinon XF18-120mm F4 LM PZ WR reviewFujinon XF150-600mm R LM OIS WR reviewFujinon XF 10-24mm F4 R OIS reviewFujinon R LM WR reviewFujinon XC35mm F2 reviewFujinon XF14mm R review Thank you for reading 5 articles this month* Join now for unlimited accessEnjoy your first month for just ÂŁ1 / $1 / âŹ1 *Read 5 free articles per month without a subscription Join now for unlimited accessTry first month for just ÂŁ1 / $1 / âŹ1 Chris George has worked on Digital Camera World since its launch in 2017. He has been writing about photography, mobile phones, video making and technology for over 30 years â and has edited numerous magazines including PhotoPlus, N-Photo, Digital Camera, Video Camera, and Professional Photography. His first serious camera was the iconic Olympus OM10, with which he won the title of Young Photographer of the Year - long before the advent of autofocus and memory cards. Today he uses a Nikon D800, a Fujifilm X-T1, a Sony A7, and his iPhone 11 Pro. He has written about technology for countless publications and websites including The Sunday Times Magazine, The Daily Telegraph, Dorling Kindersley, What Cellphone, T3 and Techradar.
William Chua Singapore FUJIFILM X-T3ď˝50mmď˝ R LM OIS WR Jacek Bonecki Poland X-T10ď˝140mmď˝F8ď˝1/500ď˝ISO200 R LM OIS WR Luca Bracali Italy X-T1ď˝130mmď˝F10ď˝1/180ď˝ISO640 R LM OIS WRJens Burger Germany X-E3ď˝106mmď˝F5ď˝1/250ď˝ISO250 R LM OIS WR23 elements shape the lightDesigned for clarity and strong contrast, this lens captures every detail in each scene. The Nano GI Gradient Index coating reduces ghosting and lens flair when shooting into strong light. The use of six ED lens elements including one Super ED extra-low dispersion lens minimises chromatic aberration to achieve a high level of image resolving power. The lens configuration and coating, has been applied to deliver clarity, free of dullness or haziness, allowing the photographer to capture what their eyes see. As quick as youThis is neither a long-distance runner or a sprinter. The lens makes a dash from the minimum shooting distance to infinity, and back again repeatedly. There are three requirements. It must be fast, quiet and maintain balance across its zooming range and at any shooting distance, so as not to have any impact on your grip holding the lens. The balanced form eliminates camera shake for high-speed shooting. Triple Linear MotorSilent, Fast, and Accurate AFTime to take controlThe lens has five-stop image stabilisation inside, and can deliver up to six-stops*1 when mounted on a camera with in-body image stabilisation. At the longest end of the zoom, 140mm, the slowest shutter speed when hand-holding should be 1/125 sec to avoid camera shake. The OIS allows you to use a shutter speed of 1/4 sec! Concentrate on your subject and have the creative freedom to choose a wider range of shutter speeds. You can also benefit in low light, as you don't have to increase ISO sensitivity or rely on a tripod. stopimage stabilization functionStay mobileLarge-diameter zooms are typically very heavy, limiting where you can use the lens and what pictures you can take, however this lens weighs less than 1kg. After a day of shooting with the lens, when you head home and realise that there is no strain on your shoulders or arms, that is the moment you appreciate its true value. Ready for the elementsAny professional lens needs to overcome all shooting conditions, especially adverse weather. The dust- and moisture-resistant construction of the lens allows you to immerse yourself in shooting, even during rain or sandy environments.*2 Dust- and Moisture- resistant-10âOperable down to -10â Accessories that extends its reachCompatible with the and TeleconverterThe lens offers compatibility with the Teleconverter TC WR and Teleconverter XF2X TC WR.With TC WR70mm-196mmF4 equivalent to 107mm-299mm in the 35mm formatWith XF2X TC equivalent to 152mm-427mm in the 35mm format Luca Bracali Italy X-T1ď˝196mmď˝F4ď˝1/1000ď˝ISO1600 R LM OIS WR TC WR *1 When combined with the FUJIFILM X-T4 *2 Needs to be combined with a weather resistant camera nameFUJINON R LM OIS WRBrochureView PDF
The Fujifilm XF 50-140mm f/ R LM OIS WR is not a new lens in the Fujifilm lineup, it is however a lens that still turns a lot of heads. If youâve just switched to Fujifilmâs X series of cameras and you shoot professionally, is this a lens you should buy? Find out in our full review. Weâve had the Fujifilm XF 50-140mm f/ R LM OIS WR on loan for a few weeks now along with the X-S10. Weâve put it through the wringer and are ready to share our findings with you. See if this is a lens that will suit you and your shooting style below. Pros All metal buildWeather sealingStabilizedFast autofocusTack sharp optics Cons Some heavy flaring and ghostingPincushion distortion throughout zoom rangePretty weightyPrice Fujifilm XF 50-140mm f/ ââŹâ Technical specifications All tech specs are from the product listing page at B&H Photo 76-213mm 35mm EquivalentAperture range f/ to f/22Optical Design 23 elements in 16 groupsDiaphragm Blades seven roundedFive ED elements & one super ED elementNano-GI and HT-EBC lens coatingsTriple Linear autofocus motorOptical image stabilizationWeather-sealed constructionRounded 7-blade diaphragm72mm UV filterMinimum focus distance / 1 mDimensions ø x L x / x mmWeight lb / 995 g Fujifilm XF 50-140mm f/ ââŹâ Ergonomics and build quality The Fujifilm XF 50-140mm f/ R LM OIS WR, while much smaller than similar lenses for full-frame cameras, is pretty stout for an APS-C lens. The lens is just under 7 inches long, inches in diameter and it weighs in at a hefty Youâre going to know youâre carrying this lens around. I used the lens with the X-S10. I wouldnât say the combo balanced well, however, the tripod collar helped when it came to handling. Still, every cloud has a silver lining. The weight is due to the incredible materials that Fujifilm used to build this lens. The all-metal build makes this a tough lens thatâs sure to stand the test of time. The lens also has ample weather sealing, which means you can go and party in the rain. Itâs a serious piece of kit for those who have to get the shot no matter what. In the hand, the Fujifilm XF 50-140mm f/ feels great. The aperture ring is firm and not easily knocked out of place. The small manual focus ring is on the stiff side but turns smoothly. The larger zoom ring is not as hard to turn and again, operates smoothly. Thereâs just one switch on the lens that enables or disables the optical image stabilization. The body of the lens is solid metal but thereâs no texture. While it feels premium, the lack of texture means the lens is prone to unsightly smudges and fingerprints, which you can see in the image above. Overall, the Fujifilm XF 50-140mm f/ R LM OIS WR is a solid lens that will stand the test of time. It feels nice in the hand despite its overall size and weight, which is on the large size in relation to the cameras it will be used with. Fujifilm XF 50-140mm f/ ââŹâ In the field Most creators see these telephoto lenses as being for portrait photography. However, the zoom range on offer 76-213mm with the APS-C crop and the fast maximum aperture make this lens incredibly versatile. During my review period, I used the lens for portraits, environmental portraits, landscapes, candids, and more. Yes, the lens is one of the heavier offerings from Fujifilm, but you soon get used to the weight and size of the lens. I had no problems with it during a rather lengthy hike. The lens is pretty easy to use too. The aperture ring is great, though if you donât like using it you can set it to A and can control the aperture via the camera body. The lens zooms internally so thereâs no need to worry about lens creeping. The optical image stabilization is also pretty fantastic. It serves up five stops of stabilization. I was able to handhold down to 1/15th of a second and could still get respectable results. I didnât get to test out the weather sealing due to having a non-weather sealed camera on hand. However, I do not doubt that this lens will stand up to harsh conditions. The Fujifilm XF 50-140mm f/ R LM OIS WR is a confident performer out in the field. Fujifilm XF 50-140mm F/ ââŹâ Autofocus performance I have used Fujifilm lenses that are rapid when it comes to autofocus speeds and Fujifilm lenses that are a little geriatric. The Fujifilm XF 50-140mm f/ falls somewhere in the middle. The lens isnât blazing fast, but itâs no slouch. Thereâs a lot of glass for the Triple Linear motors to move around, so the performance is about where I expected it to be. Itâs going to be fine for all but the most rapid action. Still, having said that, I had no problems capturing portraits with eye focus, street-style shots, and candids. The lens performed well in single and continuous focus modes and it tracked well. There was a little hunting at times in low light situations but overall, autofocus performance was sprightly. Fujifilm XF 50-140mm f/ ââŹâ Image quality In a word image quality is stunning. I thought the images looked good on the LCD of the X-S10, but wow, my jaw hit the ground when I started editing the images on both my iPad Pro and my desktop. The Fujifilm XF 50-140mm f/ is a pricey lens, but you certainly get your moneyâs worth when it comes to the final product. Letâs break image quality down further. Distortion control and vignetting When it comes to distortions thereâs some slight pincushion distortion that is present throughout the entire focal range. Itâs not any better or worse at the short or long end. It stays consistent. Itâs easy to fix during post, so thatâs a plus. On a more positive note, thereâs no vignetting to speak of here. Keep the lens correction profile turned on and youâll have nothing to worry about. Ghosting, flaring and chromatic aberrations The Fujifilm XF 50-140mm f/ does a good job when it comes to controlling flares when shooting directly into light sources and the large lens hood eliminates all flares when shooting with the sun off to the side. When it comes to ghosting, the XF 50-140mm has the same weird green dot issue that plagues many other Fujifilm lenses. You can see them between the tines of the sun stars in the image above. This will be somewhat of an issue if you shoot portraits with the sun behind your subject. You do also lose a little bit of contrast but itâs nothing major. There are no chromatic aberration issues to talk about either. I tested the lens in some pretty hard contrast scenes and I didnât see any green or purple fringing. Sharpness The Fujifilm XF 50-140mm f/ R LM OIS WR is up there with the sharpest lenses Fujifilm has on offer. The 56mm f/ and the 90mm f/2 are perhaps the sharpest Fujifilm lenses I have used, and the 50-140mm gives them a run for their money across the entire zoom range. The corners are perhaps a tad soft at f/ but you have to look to see it. Diffraction doesnât become an issue until you get down to around f/11. This telephoto zoom is like having several primes in one. The performance is impressive. Bokeh Whether youâre shooting at the short or long end the bokeh is pleasing. This should come as no surprise. Telephoto lenses and the compression they offer do wonders for out-of-focus areas. When you combine compression with fast apertures you get magic. When shooting at the long end you can melt away backgrounds. Bokeh balls are pretty round in the center of the frame. There are some catâs eye bokeh balls toward the edges and corners but they still look nice. If you shoot portraits or do product photography, youâll love the bokeh that this lens can render. Color rendition How are the colors? Oh, baby! Theyâre gorgeous. Youâre going to get bright, bold, beautiful colors that are perhaps a little more saturated than other lenses put out, but they look fantastic. The fall foliage in the images above really popped. The lens doesnât lean toward the warm or cool end of the spectrum which is nice. It also renders pleasing skin tones, which is great seeing as many photographers will pick this lens up for portrait work. Fujifilm XF 50-140mm f/ is like multiple primes in one The Fujifilm XF 50-140mm f/ R LM OIS WR is not a new lens in the Fujifilm lineup, it is however a lens that all Fujifilm photographers should dream of owning. Itâs that good. The lens is beyond sharp, it renders the most gorgeous colors and bokeh, it focuses fairly quickly and itâs accurate. Aside from some weird ghosting and the weight compared to the cameras it will attach to, itâs a joy to use. From a build quality standpoint, the Fujifilm XF 50-140mm f/ is one of the most well-built lenses Fujifilm puts out. The lens feels like a premium product and itâs weather-sealed to the nines. Itâs an expensive lens at just under $1,600 but itâs worth it. If you shoot portraits, product photography, photojournalism or even landscapes, the XF 50-140mm f/ is a lens that will help you create jaw-dropping images. Fujifilm XF 50-140mm f/ R LM OIS WR The Fujifilm XF 50-140mm f/ R LM OIS WR is a premium lens for professional photographers who demand more from their glass. This lens is beyond sharp, it renders gorgeous colors and bokeh and the autofocus is speedy and accurate. This lens has a solid metal construction and it has plenty of weather sealing for when the going gets tough. Itâs a must-have for Fujifilm shooters.
fuji xf 50 140mm f 2.8 r lm ois wr
